Sekhmet Rising ….’Pussy Power’ ♀

I am so  inspired by all the women across the World who have Risen and shown  their desire to bring justice, protection, equality and peace to not only  their Sisters but to all of humanity  …….♀

Sehkmet is an ancient archetype of female power..  She was an ancient Egyptian Mother Goddess. Portrayed as a Lion, wearing  the fierce flame of the Sun disc at her head .  She was fiercely protective but also the  patron of all Healers …….Her name meant ‘She who is Powerful’ .  In myth, she is a mother and a wife but there is nothing submissive or docile about her. When She encountered something out of balance, She fixed it, leaving nothing undone. According to myth she saved mankind and every year this was celebrated on her feast day where everyone drank beer stained with pomegranate juice.

SEHKMET Rising – ‘Pussy Power’

 

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LUCINA – “She who brings children into the Light”…..

For Lucy 💜….In Roman mythology, Lucina was the incandescent goddess of childbirth who aided and safeguarded the lives of all women in labour…..”she who brings children into the light”. She was often shown holding a torch representing the burning pains of labour as well as the act of bringing a new Soul into the Light. But, Lucina’s provenance reaches way back to Ancient Crete , where a much revered  goddess called Eileithyia was worshiped in a cave at Knossos where she had many shrines and also at Olympus and Athens. Over time Eileithyia merged into  the goddesses Hera/Juno and Artemis, eventually becoming  the Roman Goddess Lucina. In Ancient pagan Rome her festival, was called the Matronalia, and was celebrated on the first of March honouring wives and mothers, an early version of Mother’s Day. As Rome took on the  Catholic religion Lucina became St.Lucy (meaning Light) and her honoring day was December 13th,  right before (or, before the calendar change, upon) the winter solstice, so she can be seen as the midwife of the miraculous sun-child who is born at Yuletide.

“A new moon teaches gradualness
and deliberation and how one gives birth
to oneself slowly. Patience with small details
makes perfect a large work, like the universe.
What nine months of attention does for an embryo
forty early mornings will do for your gradually growing wholeness”…RUMI

Labouring in The Waters of Life
with LUCINA – The Soul Midwife

 

 

To find out more go to the excellent article on the midwives of Light  at:
https://earthandstarryheaven.com/2017/01/04/midwives-light/

Melissa at the hearth of her hive …..🐝

Today we reach the Winter solstice, and are reminded that we are at the darkest point of our year, and from now we can look forward to the reborn light.  I celebrate this turning of the seasons with a print  of Melissa at the hearth of her hive. For many bee keepers the winter solstice marks a turning point in their hives, as the honey bee queens start to begin again to slowly reproduce their first young for the next year. She sits within the darkness of her hive, but somehow knows that this is a time of importance and growth in the life cycle of her hive. Melissa, the Bee-goddess’s name,  has a long history with roots reaching back to  beyond Ancient Greece. It is probable that the ‘pure mother bee’ deity originated in Crete , and arose from the Minoan culture. There she was called Potnia , the matriarchal bee goddess , so important for the Minoans whose  tombs were shaped like a beehive and honey mead was used produces and used ritually . The myths of ancient Greece link the ‘Melissae’ with their main god Zeus , who was born on the  island of Crete  in a cave of bees and was fed by them. In the time of ancient Greece,  in the temples of Artemis, Aphrodite, Demeter but also of Cybele, Diana and Rhea, priestesses who served The Great Mother were called the ‘Melissae’ meaning ..the bees. The Goddess as the Great Mother was  titled Melissa, translated literally, as ‘the Queen Bee.’ The bee is for many now and in ancient times , a sacred insect  signifing immortality and resurrection ,offering a bridge from the natural world to the underworld. Because a honeycomb is naturally made up of hexagonal prisms, it was considered by philosophers to be the manifestation of divine harmony in nature. Many cultures and religions have deities personifying the bees connecting people to the sacred aspect of the bees.

Beware ! the ‘Queen Bee syndrome’ – the negative archetypal aspect of this most ancient and sacred goddess.

The words at the top of this  print are the first line of Carol Ann Duffy’s poem ..Bees

‘Melissa at the hearth of her hive’

Bees by Carol Ann Duffy

Here are my bees,
brazen, blurs on paper
besotted: buzzwords, dancing
their flawless, airy maps.

Been deep, my poet bees,
in the parts of flowers
in daffodil, thistle, rose, even
the golden lotus; so glide,
gilded, glad, golden, thus –

wise – and know of us:
how your scent pervades
my shadowed, busy heart,
and honey is art.

Minoan Bee pendant

 

 

 

 

 

 

 

 

 

A solid gold Minoan pendant depicting two bees clutching a honeycomb (1800-1700 BCE), found in the Old Palace cemetery at Chrysolakkos near Malia, Crete.

Cybele’s Heart..h in the Tower …….❤️

Ancient Cybele originated in the mountains in Anatolia(present day Turkey) in the 6 century BCE. She was an earth mother goddess and connected to nature and agriculture. Her cult involved singing , drumming, dancing, and wild orgiastic  rituals and she was associated  with bees and honey. The Great Mother  was usually shown seated and pregnant or in some instances shown giving birth. Her myth tells of a husband called Attis who was a sacrificed  death and resurrection God and was turned into a pine tree. The most sacred manifestation of Cybele was as a revered black meteorite. In 204BC  this stone was  removed to Rome,via the Delphi Oracle who gave permission for the Mother of the Gods to be welcomed in Rome where she was called Cybele -Magna Mater , the great mother. Cybele’s cult was very popular in the whole of the Roman Empire and it was not terminated until the Christian era. The meteorite black stone disappeared but was recorded historically. Cybele is usually shown wearing a tower as her crown so seen as the personification of fortifications such as towns or cities. Other Goddesses also wear this type of crown such as that seen on the Statue of Liberty in New York. My print show St Michael’s Tower at the top of  Glastonbury Tor. Cybele is closely connected to Minoan Goddess Rhea and the Greek goddess Demeter

Jung saw the tower as a feminine symbol with sacred meaning. He actually built himself a stone tower at Bollingen in Switzerland. In the middle of the tower was the fireplace and writes that it “represented for him the maternal hearth.” above the hearth he carved a quote “Seek that which is not possible.” Here in his tower he retreated alone to work and live off grid ,writing ,painting and carving stones. Jung saw the tower as a symbol of the Self with the divine spark at its centre…. the tower being seen as the place where the body, the soul ,the self ……..matured and developed on its journey.

CYBELE’s heart..h in the Tower

The Mother Goddess

is watching the forest 

she sings to you a song of honey

and cry's the chant of mad sweet music

her heaving breast worships us

drunk and frantic with joy .....I recall

her visions give wild dreams 

she sits in our beauty 

and the red rose incubates

TIAMAT the Devil and the Milky Way ⭐️

Blessings at Samhain – enjoy the festival that marks the end of Summer and celebrates the blanket of of darkness 🌀

Tiamat is a Goddess from the Mesopotamian religions, who roared and smote in the monstrous embodiment of primordial chaos. She is also a creation Goddess who mixed the waters before there was a heaven or earth. The Christian Devil may well have inherited quite a few of some of her attributes. Tiamat was always shown with a tail, as she was cloaked with a pungent mix of animal and human characteristics. Tiamat possessed the great tablet of destinies and was murdered by her lover who desperately desired it. After the blows he cut her up into pieces which were then used for creation…her tail became the Milky Way.

TIAMAT, the devil and the Milky Way

Sedna and the Devil-fish…..

The story of Sedna is the creation myth of the Inuit peoples. She is a mother goddess who is traditionally both revered and feared. Sedna is a beautiful young Inuit woman who drowns following betrayal and abuse by her husband and father. Her father eventually pushed her out of a boat and cut off her fingers when she tried to save herself thereupon she sank to the bottom of the sea to become the immortal ocean goddess who governs the fish, seals, walrus, and whales upon which the Inuit depend for food.  Psychologically Sedna represents our Soul and the deep ocean symbolises the world of dreams, the feminine …the unconscious. The myth starts as a tale of betrayal and trauma but evolves into a tale of entering an immersive state in the silent space of the non-rational unconscious, where the water can heal her trauma and depression.  The octopus is called the Devil-fish in many arctic cultures. Here this most  intelligent of creatures  holds Sedna in stillness allowing her to release  all her suffering and become unbound. When she is ready to let go she can move on and create the world and Self she is destined for.

Sedna and the Devil-fish

This print symbolises the alchemical phase  of Solutio  – the  immersion in salty water , a process of healing, meditation and  stillness. This process may need courage to look into our  unconscious self , both dark and light.  Solutio opens the  flood gates allowing tears to be shed and much to pass through.

(poetry meditation that I use as a process of developing a print )

 

 

Demeter and the dead Earth……

A print of a part of my most favourite of myths….

As we head towards the Autumn Equinox /Mabon – the turn towards Autumn describes some of the events within the myth of Demeter and Persephone . At this time Persephone descends into the underworld to be with her new husband Hades. And so the grieving Demeter, the Dark mother once more travels across our Lands bringing death to our landscape in the shape of the dying Earth -Autumn followed by the dark days and the absence of light in Winter. The Alchemists would call this a state of NIGREDO – a time of the Black sun . This myth sustained a cultural ritual known as the Eleusinian mysteries for over 2,000 years…….which taught belief in man’s immortal soul and the future life after death. In all the Mediterranean area and Europe it was the religious teaching of immortality: dying before death, followed by a resurrection.

Demeter and the dead Earth……

The myth of Demeter, Persephone and Hades was dramatized every year with parades and pageants. This was the means of conveying the teaching to the people. The first stage of the mysteries was the outer work of dancing and feasting which went on for eight days while all other activity stopped. The second stage was the drama and role-play. The third stage was the immersion into the inner meaning of Demeter and Persephone through meditation and visualization.

In the myth it begins on earth, in the fields, and reaches down into the underworld and up into the heights of Olympus. In our psyche it begins in infancy with the first nature explorations of mother with daughter. Demeter, the mother is between earth and heaven; Persephone, the daughter, is between earth and the underworld; this exemplifies the lower and higher self through realizing expansion of the higher self and transformation of the lower self.

The cult of Eleusis was a philosophy of life satisfying the deepest yearnings and desires of the human heart. Its secret was never divulged, even by former devotees who became Christians.

Sophocles said, “Happy is he who, having seen these rites, goes below the hollow earth; for he knows the end of life and knows its God sent beginning.” When Christianity conquered the world of that day the inspiring and divine rites of Demeter came to an end.